Who won austin vs bryce video Patch#

Limited onsite time before the show, combined with a condensed show schedule from start to finish and the desire to keep everything within a certain budget, meant that the Snapback team had little margin for error in their realising the complex show setup. PIXERA’s ability to output a custom NDI stream to take over the venue ribbon boards enabled us to say yes to a client request that for the previous 18 years they’d never been able to have – without having to add more gear to the show.” Three weeks before the show we found a way to do it, but the only option was a custom resolution NDI stream that was wider than a standard 4K frame.

Who won austin vs bryce video Patch#

“The venue initially informed us that it was impossible to patch in and take over. “Our client asked for the ability to have full control over the venue ribbon board and to tie it in with the rest of the show’s creative programming,” said Kongvold. Content management, projection mapping and the onsite systems integration, as well as the show execution itself, lay in the experienced hands of the Snapback team, for whom it was the third time they had joined the overall team behind Forward Conference. Snapback Productions provided the necessary video systems, created the technical design and prepared the advance screens programming for the event. PIXERA was used for the creative video programming, content sequencing and IMAG effects across 20 individual screen surface destinations. One key component of the production was AV Stumpfl’s PIXERA media server platform. It was equally important that each of the highly motivated artists were given enough visual freedom to allow for their own unique moment as part of the overall conference. Snapback’s Bryce Kongvold and Michael Ferris were tasked with supporting creative director, Austin Bell, and his team to programme the entire show and to ensure it would both feel cohesive and stay “on brand”.